(English version of this essay is under Turkish one)
Altta/below albümden bir eser, a part from the album...
Track Listings/Eserler:
1. Partita No. 3 In E Major- I. Preludio
2. Ii. Loure
3. Iii. Gavotte En Rondeau
4. Iv. Menuet I
5. V. Menuet Ii
6. Vi. BourrÉE
7. Vii. Gigue
8. Partita No. 2 In D Minor- I. Allemande
9. Ii. Courante
10. Iii. Sarabande
11. Iv. Gigue
12. V. Ciaccona
13. Sonata No. 3 In C Major- I. Adagio
14. Ii. Fuga
15. Iii. Largo
16. Iv. Allegro Assai
Many congratulations for such a great and wondurful Johann Sebastian Bach Debut album!! There are so many recordings of these Bach sonatas and partitas for solo violin, but this one stands out as one of a really extraordinarily superb quality. Besides the superb quality of this recording, this recording is so particular since Hilary Hahn recorded these very difficult pieces for solo violin when she was still a "teenaged girl" aged 17 - and with this 1997 recording Hilary Hahn proved her extra class at this very young age by such a mature and remarkable as well as intelligent interpretation which can be heard in the same quality only from few other remarkable violinists. With her Debut album Hilary Hahn showed what a serious and mature violin virtuoso she is. This recording makes you immediately recognise how intensely and profoundly Hilary Hahn approaches the Bach sonata as well as the two partitas, how she explores and immerses them and so discovers and brings out for all to hear the spirit of them and gets out what is deeply inside them and inside their literature. And in doing so, Hilary Hahn knows exactly how to play each note and she manages to play these pieces technically without mistakes and provides a superb intonation and interpretation of them. Hilary performs these pieces for solo violin with much energy and spirit, but well under control and straightforwardly, she transfers all the excitement and vibrations of these wonderful pieces in an almost frightening precision and cleanliness of intonation and so she establishes a true communication between her and us, the listeners and her audiences. Hilary Hahn (even back then) avoides any unnecessary over-emphasising and flourish - and false notes could already not be heard from her even in this, her Debut recording! So, for me this a five stars recording, not only but also due to the fact that Hilary Hahn was so brave to record these very difficult pieces at such a young age, so early in her career - and of such tremendous quality and precision -, while other violin virtuosos normally take more time to record them!
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