Sanatçı hakkında:
Martin Fröst 14 Aralık 1970 doğumlu İsveçli klarnet sanatçısıdır. Dünya genelinde pek çok ünlü orkestra ve şef ile çalışmıştır. Ayrıca bir oda müziği sanatçısı olarak Mora Vinterfest ve Stavanger International Chamber Music Festival etkinliklerinin sanat lideridir.
Sanatçının repertuarı sadece önemli klarnet çalışmalarından değil ayrıca çağdaş çalışmalardan da oluşmaktadır. Örnek olarak Anders Hillborg’ün Peacock Tales çalışması verilebilir ve diğer bestekarlar özellikle Fröst için yazan Krzysztof Penderecki, Kalevi Aho, Rolf Martinsson, Bent Sørensen, Victoria Borisova-Ollas, Karin Rehnqvist and Sven-David Sandström 'dür.
Ayrıca Philharmonia Orchestra, Los Angeles Philharmonic, Chamber Orchestra of Europe, National Symphony Orchestra , Wiener Symphoniker, Minnesota Orchestra, NHK Symphony Orchestra, Yomiuri Nippon Symphony Orchestra, Gothenburg Symphony Orchestra, Oslo Philharmonic, Royal Stockholm Philharmonic, Iceland Symphony Orchestra, BBC Symphony Orchestra, City of Birmingham Symphony, BBC Scottish Symphony Orchestra, Deutsche Kammerphilharmonie Bremen gibi ekiplerle çalışmalar yapmaktadır.
Sanatçı ayrıca Australian Chamber Orchestra, Oslo Philharmonic, Academy of St Martin in the Fields, the Verbier Festival Orchestra, Stuttgart Chamber Orchestra, Züricher Kammerorchester, Deutsche Kammerphilharmonie Bremen, Swedish Chamber Orchestra, Norrköping Symphony Orchestra and the Norwegian Chamber Orchestra ekiplerde bazen şeflik yapmakta bazende çalmaktadır.
Albüm hakkında:
Sanatçının yoğun programı konser ve resitaller sırasında tekrar ve tekrar bis olarak sahne alırken sonuçta harika bir repertuar oluşturmuş bu bisler ile. Tüm bu konser programlarını ise diğer müzisyen dostlarıyla planlayıp geliştirmiş ve bu arada pek çok farklı müzik alanından faydalanmış.
Tüm bu çalışmalar olduğu gibi bu albümün yapılmasına yansıtılmış ve albüm ölümsüz bazı eserleri de içerdiği gibi Rachmaninov’un Vocalise ve Kreisler’in Liebeslied eserleri buna iyi birer örnek aynı zamanda klasik müzik dışından da Charlie Chaplin’in Smile ve anonim Let’s Be Happy gibi eserleri de içermekte.
Albüm boyunca sanatçı piyanist Roland Pöntinen'in desteğini almakta, ki kendisi sanatçının oda müziği alanında uzun soluklu ortağıdır harika düzenlemeler imza atan örnek olarak Monti’nin Csárdás eserini burada verebiliriz.
Albümde yer alan diğer üç alan sanatçı ise parça bazlı katkıda bulunan mezo-soprano Malena Erman Two Bumble-bees adlı eserde, çellist Torleif Thedéen Ave Maria'da ve diğer bir çellist Svante Henryson ise kendi bestesi Off Pist'te katkıda bulunmuş.
Albüm 2010 yılında ünlü İsveç müzik firması BIS tarafından SACD olarak çok güzel bir kayıt ve güzel bir kitapçık ile sunulmuş.
Altta/below Let's Be Happy..
Parçalar/Track list:
1. Prelude for piano in B major, Op. 16/1
2. Ave Maria, for voice & piano (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1)
3. Sonata for solo violin No. 1 in G minor, BWV 1001: Presto
4. Wie Melodien zeiht es mir leise durch den Sinn, song for voice & piano, Op. 105/1
5. Let's Be Happy
6. The Flight of the Bumble Bee, musical picture for orchestra (from The Tale of Tsar Saltan)
7. Liebesleid (Love's Sorrow), for violin & piano
8. Solo de concours for clarinet & piano
9. Vocalise, instrumental arrangement, Op. 34/14
10. Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109
11. Dein Angesicht ('Dein Angesicht, so lieb und schön'), song for voice & piano, Op. 127/2
12. Csárdás, for violin & piano
13. The Peacock Moment (Påfågelsögonblick), for clarinet & piano
14. Improvisation (based on a theme by Malcolm Arnold), for clarinet
15. Smile (as used in the film 'Modern Times' ) (spurious; by Geoffrey Persons)
16. Brudvals för Karin och Martin, for ensemble
17. Off Pist, for clarinet & cello
18. Nature Boy
About the artist:
Martin Fröst is a Swedish clarinetist born on 14 December 1970,. He works with the most prominent orchestras and conductors all over the world. As a dedicated Chamber Musician he is also the artistic leader of the Mora Vinterfest in Sweden and Stavanger International Chamber Music Festival in Norway.
Martin Fröst’s repertoire encompasses not only the mainstream clarinet works, but also includes a number of contemporary commissions which Martin has personally championed, including Anders Hillborg’s Peacock Tales (incorporating elements of mime and dance). Other composers who have written specially for Martin Fröst are: Krzysztof Penderecki, Kalevi Aho, Rolf Martinsson, Bent Sørensen, Victoria Borisova-Ollas, Karin Rehnqvist and Sven-David Sandström.
He collaborates with orchestras such as the Philharmonia Orchestra, Los Angeles Philharmonic, Chamber Orchestra of Europe, National Symphony Orchestra in Washington, Wiener Symphoniker, Minnesota Orchestra, NHK Symphony Orchestra, Yomiuri Nippon Symphony Orchestra, Gothenburg Symphony Orchestra, Oslo Philharmonic, Royal Stockholm Philharmonic, Iceland Symphony Orchestra, BBC Symphony Orchestra, City of Birmingham Symphony, BBC Scottish Symphony Orchestra, Deutsche Kammerphilharmonie Bremen.
Martin Fröst also plays/conducts programmes with orchestras such as the Australian Chamber Orchestra, Oslo Philharmonic, Academy of St Martin in the Fields, the Verbier Festival Orchestra, Stuttgart Chamber Orchestra, Züricher Kammerorchester, Deutsche Kammerphilharmonie Bremen, Swedish Chamber Orchestra, Norrköping Symphony Orchestra and the Norwegian Chamber Orchestra.
Altta/below Flight of The Two Bumble-Bees..
About the Album:
A calendar filled with orchestral concerts and chamber recitals in many of the world’s most prestigious venues has given the clarinettist Martin Fröst ample opportunity to develop a wide range of encores, for every occasion. Known for the imaginatively themed concert programmes he devises with various musician friends, he has also explored a number of musical genres.
These aspects of his artistry are both demonstrated on this constantly engaging this album, which includes immortal gems such as Rachmaninov’s Vocalise and Kreisler’s Liebeslied as well as pieces rather less usual in a classical context: Charlie Chaplin’s Smile and the klezmer traditional Let’s Be Happy.
Throughout the programme Fröst receives the expert support of the pianist Roland Pöntinen, a chamber music partner of long standing who has also been involved in devising many of the imaginative arrangements, for instance of Vittorio Monti’s Csárdás.
Three other musical companions of Fröst’s make cameo appearances, with mezzo-soprano Malena Ernman joining the clarinet in the head-long flight of not one, but two bumble-bees. Torleif Thedéen’s cello sings a heartfelt Ave Maria while Svante Henryson, also a cellist, plays in his own duo piece Off Pist.
Album was released on 2010 by famous Swedish music company BIS with an excellent recording in SACD format.
Altta/below Ave Maria..
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